Opportunities and Challenges of the Shariah Film Industry in the Global Market

Authors

  • Nurintan Siregar Sekolah Tinggi Agama Islam Negeri Mandailing Natal
  • Saifuddin Yuliar Universitas Islam Negeri Sultan Syarif Kasim Riau
  • Adam Malik Indra Universitas Islam Negeri Sultan Syarif Karim Riau
  • Herlinda Herlinda Universitas Islam Negeri Sultan Syarif Karim Riau

DOI:

https://doi.org/10.37680/ijief.v6i1.9408

Keywords:

sharia film industry; economy creative; global markets; digital platforms; value-based content.

Abstract

The sharia film industry is part from economy creative based values that have potential big for growing in the global market along with increasing request to content entertainment that prioritizes ethics, humanit, and spirituality. Research aim for analyze opportunities and challenges sharia film industry in global market dynamics and the implications to development economy global creative research this use approach qualitative descriptive with method studies bibliography. Data obtained from book scientific, articles journals and publications related film industry, economy creative, as well as film- based sharia values, which are analyzed use technique analysis content. Research results show that the sharia film industry has significant opportunity through digital platform support, growth the world's Muslim population, and the increasing interest towards value-based content. However thus, the industry This Still face challenge structural and cultural, such as limitations capital, sources Power humans, regulations, and global market perception tends to view sharia films as exclusive products. Research This conclude that development The sharia film industry requires an adaptive strategy that integrates sharia values with universal narrative, reinforcement ecosystem industry, as well as support sustainable policies to be able to empowered compete and contribute optimally in economy global creative. The Implications of this study suggest that policy makers must develop standardized Halal governance for the creative sector, while producers must move toward Values-based Storytelling to reach broader, non-Muslim audiences seeking ethical alternatives. Ultimately, this research provides a comprehensive roadmap for the Shariah film industry to evolve into a competitive, ethically-driven force within the global creative economy.

References

Al-Faruqi, M., & Rahman, A. (2023). Islamic values and creative industry: Challenges and opportunities in global media. Journal of Islamic Cultural Studies, 8(2), 115–130.

Appadurai, A. (1990). Disjuncture and difference in the global cultural economy. Theory, Culture & Society, 7(2-3), 29. https://doi.org/https://doi.org/10.1177/026327690007002017

Aziz, A. (2024). Digital media and the development of halal creative industries. Journal of Halal Industry Studies, 6(1), 33–47.

Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. https://doi.org/https://doi.org/10.4324/9781315180458

Castells, M. (2007). Communication, power and counter-power in the network society. International Journal of Communication, 1(1), 238–. https://doi.org/https://ijoc.org/index.php/ijoc/article/view/46

Fauzi, M. (2022). Islam, budaya, dan industri media global. Jurnal Komunikasi Islam, 10(2), 145–160.

Hamdi, B., Sari, R. E. P., Syukri, S., & Abdullah, W. L. (2025). Optimizing the Potential of Halal Media and Entertainment in Indonesia: Analysis of Opportunities, Challenges, and Strategic Steps. Jurnal Ilmiah Ekonomi Islam, ., 11(04).

Hamizar, A., Holle, M. H., & Mohamad, S. I. S. (2023). Challenges and opportunities of Islamic branding on global marketing: A conceptual study. Al-Iqtishadiyah: Ekonomi Syariah Dan Hukum Ekonomi Syariah, 9(1), 19–3.

Hassan, R., & Lewis, S. (2022). Digital Islam and the New Media Landscape. Global Media and Communication, 18(2), 145.

Hassan, Z. (2022). Islamic values and global media reception. Journal of Religion and Media Studies, 9(2), 101–116.

Hassan, Z. (2023). Islamic ethics and narrative construction in contemporary cinema. Journal of Religion and Media Studies, 9(2), 89–104.

Hidayat, R., & Syamsuddin, M. (2024). Pengembangan industri film syariah dalam perspektif ekonomi Islam. Jurnal Ekonomi Dan Industri Halal, 5(1), 45–60.

Imre, A. (2016). The new Muslim cool: Digital media and the global production of Muslim identity. Journal of Religion and Popular Culture, 28(2), 154. https://doi.org/https://doi.org/10.3138/jrpc.28.2.3361

Kamaluddin, M. (2023). Value-based creative economy and Islamic media industries. Journal of Islamic Creative Economy, 5(2), 78–92.

Khan, S. (2022). Halal entertainment and Muslim consumer behavior in the digital era. International Journal of Halal Research, 4(2), 89–101.

Mansor, N. H., Ayub, M. S., Abdul Razak, A. Q., Ramlan, A. F., Suyurno, S. S., & Md Sharipp, M. T. (2019). Potential of Islamic films in the development of national creative industry. E-Journal of Media and Society (e-JOMS), 2(1), 1–11.

Nugroho, A. (2022). Ekonomi kreatif global dan diplomasi budaya. Jurnal Ekonomi Kreatif Dan Inovasi, 4(1), 15–29.

Pratama, D. (2022). Kebijakan publik dan pengembangan industri kreatif berbasis nilai. Jurnal Kebijakan Dan Administrasi Publik, 9(1), 41–55.

Rahman, A., & Al-Haidar, N. (2021). Standardization and Consumer Trust in Islamic Creative Products. Asia Pacific Journal of Marketing and Logistics, 33(4), 980.

Rahman, F. (2023). Ethics, spirituality, and audience reception in global cinema. International Journal of Media and Cultural Studies, 11(2), 103–118.

Rahmawati, N. (2022). Kebijakan ekonomi kreatif dan peluang industri halal di Indonesia. Jurnal Kebijakan Publik Islam, 7(1), 23–38.

Sari, N. (2023). Regulasi industri film dan tantangan ekonomi kreatif halal. Jurnal Hukum Dan Ekonomi Islam, 11(2), 89–104.

Shafik, N. (2023). Narrative Inclusivity in Contemporary Religious Cinema. Journal of Arab Media & Society, Vol. 32.

Shafiq, A., Haque, A. K. M., & Omar, A. (2015). Religiousity and its ethics in advertising: A perspective of Muslim consumers. Journal of Islamic Marketing, 6(1), 135–. https://doi.org/https://doi.org/10.1108/JIMA-03-2014-0022

Slater, D. (1997). Consumer culture and modernity. Polity Press. https://doi.org/https://doi.org/10.1111/j.1467-954X.1998.tb03478.x

Snyder, H. (2019). Literature review as a research methodology: An overview and guidelines. Journal of Business Research, 104, 333–3. https://doi.org/https://doi.org/10.1016/j.jbusres.2019.07.039

Sugiyono. (2009). Metode Penelitian Kuantitatif, Kualitatif dan R&D,. Bandung : Alfabeta.

Tsaqyfa, M. N., & S. (2024). Halal Industry in the Creative Economy: Opportunities in the Entertainment and Media Sectors. ASEAN Journal of Halal Study, 1(2), 33–3.

Wilson, J. A., & Liu, J. (2010). Shaping the Halal into a brand? Journal of Islamic Marketing, 1(2), 107–. https://doi.org/https://doi.org/10.1108/17590831011055851

Yusuf, A. (2023). Cultural identity and Islamic storytelling in global cinema. Journal of Media and Religion, 12(3), 201–215.

Zaini, M., et al. (2024). Financial Challenges in the Islamic Creative Economy: A Structural Analysis. International Journal of Islamic Economics, 10(1), 45-.

Downloads

Published

2026-04-17

How to Cite

Siregar, N., Yuliar, S., Indra, A. M., & Herlinda, H. (2026). Opportunities and Challenges of the Shariah Film Industry in the Global Market. Indonesian Journal of Islamic Economics and Finance, 6(1), 1–14. https://doi.org/10.37680/ijief.v6i1.9408

Issue

Section

Articles